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20 Gennaio, 2021

Sign up for our weekly newsletter and get them delivered straight to your inbox. Bach:Christ lag in Todesbanden, BWV 4Easter Oratorio, BWV 249 Three majestic works that pertain to the events of the Easter … When Bach performed the oratorio again a few years before his death, the oboe solo was played by a transverse flute, just as in this performance. A divine Easter tradition. This is one of them. The paintings are by Klee, van Gogh, Chagall, Whistler, Jasper Johns, ...  Continue Reading, Bach’s motets are difficult as the dickens but among the most beautiful, uplifting, and refined works of a composer’s output that is positively stacked with beautiful, uplifting, and refined works...  Continue Reading, Stéphan Elmas (1862-1937) was, according the booklet notes accompanying this release, the first Armenian composer of note to write a piano concerto, and although the two works on this disc date from ...  Continue Reading, Idil Biret first recorded Ravel’s Gaspard de la nuit in 1965 for the Vega label, but she did not approve its issue at the time. After recently discovering an acetate LP master in her archive, the pi...  Continue Reading, Although Louis Vierne composed his six organ symphonies with the sound of the Romantic Cavaillé-Coll church organs and large cathedrals in mind, one can argue that smaller spaces better absorb the mu...  Continue Reading. Johann Sebastian Bach is one of the greatest composers of sacred music and in the hands of Joseph Nolan and a stellar cast with WASO, his magnificent Easter Oratorio will take you on an unforgettable divine journey, from a tomb of dark grief to the blazing light of joy.. According to Gramophone, Nikolaus Harnoncourt's recording of 1972 was the first to be historically informed. Find recording details and track inforamtion for Easter Oratorio (Oster-Oratorium:… - Johann Sebastian Bach on AllMusic The final version, heard on the present recording, dates from the mid-1740s. This, the second release of the highly anticipated Retrospect Ensemble series, features the Easter Oratorio, one of Bach's best-known oratorios and a monumental work, as well as the Ascension Oratorio. Want to know first what the latest reviews are that have been posted to ClassicsToday each week? The Easter Oratorio, like many another Bach composition, underwent many metamorphoses. Sound Quality: 8. ), Big Boxes: Éric Heidsieck’s Erato and HMV Recordings, Virtuosi Singing And Playing–Rossini Tenors, Crumb’s Metamorphoses (Book 1): True to Form, Elmas’ Chopinesque (Sort Of) Piano Concertos, Three Idil Biret Gaspards For The Price Of One. It’s worth owning the disc for the performance of this chorus alone. This is not a fancy, high-gloss “e-zine,” but rather a simple, straightforward newsletter-style section of our website designed for ease of reading and packing the maximum amount of useful information into each issue. It’s also, like the ever-popular Magnificat, very concise. Called an “oratorio,” this is, like the Christmas Oratorio , really a cantata-style piece (the Christmas Oratorio is actually a series of six cantatas). One of Bach’s earliest Weimar cantatas Ich hatte viel Bekümmernis is performed here in its first Leipzig version. Bach composed it in Leipzig and first performed it on 1 April 1725. The rest consists of arias for soprano, alto, and tenor (one of the most beautiful tenor arias in all of music) and some of Bach’s most skillfully written recitatives. of the Easter Oratorio are composed in the manner of the Brandenburg Concerti and probably originate from the same period in Bach’s life: sometime in the Cöthen Period (Dec. 2, 1717 until March 13, 1723.) The Easter Oratorio, one of the less performed of Bach’s choral works, was first composed as a simple cantata and later revised to become a more polished piece with a meditative emphasis. Reference Recording: Charles Rosen’s Distinctive Diabellis, Video Review: The Three Bs–The Bonynge Ballet Box (Naturally! Gardiner, of course, is at his best in projecting energy, but he can elicit introspection as well. John Eliot Gardiner’s inspired programming here combines Bach’s "Actus Tragicus" — Cantata 106 — with the Easter Oratorio — but not in cover (or headnote) order. JS Bach Ich hatte viel Bekümmernis (I had much grief), BWV 21 Oster-Oratorium (Easter Oratorio), BWV 249. St. John Passion – Bach. The Oratorio is coupled on this CD with Bach's justly famous 12-movement setting (in 25 minutes) of the Magnificat text from Luke. It prevails, with introspective diversions, to the end of the oratorio. Concertos inédits de Jean Sébastien Bach Catalog Record Only The 1st work is the Sinfonia from the Easter Oratorio; the 3rd work was originally written for 2 harpsichords and string orchestra, and is a reconstruction of a lost concerto for oboe and violin with string orchestra. There are no “roles” as we find in the Passions, no Evangelist-type recitatives, no chorales, and there’s no real dramatic story line. This is one of them. History. The performances here are everything you could wish for, with sound that neither giveth nor taketh away, but rather just allows us to hear everything clearly and naturally. The perfect gift for the classical music enthusiasts! Bach's Magnificat & Easter Oratorio from McCreesh, Part 2: Donald Satz wrote (April 6, 2001): Bach's Magnificat in D major, BWV 243, like the Easter Oratorio, began its life in another form. The opening chorus of the cantata BWV 66 is one of the legion of wonders among Bach's choral movements. It was transformed a mere month later – using newly composed recitatives and new text (probably by Picander) – into an Easter cantata. A brilliant pairing of Bach’s Easter Oratorio and Magnificat, directed by Paul McCreesh and the period experts of the Gabrieli Consort & Players. the second a New Testament message of hope. One hundred and one years ago, the Calvin Oratorio Society made its debut with the first of its now traditional Christmas season performances of Handel's Messiah.. Soprano: Aileen Thomson Mezzo-soprano: Esther Brazil Tenor: Ruairi Bowen Baritone: Humphrey Thompson. His readings of the two pieces are well nigh ideal, The Monteverdi Choir, 23-strong in the oratorio but reduced to 12 for the cantata, is impeccable, and his solo quartet is superb from top to bottom. The recording was made in the Saxon church of Brand-Erbisdorf, south of Freiberg, which is possessed of a superb baroque organ and a typical 18th century organ gallery in which all the musicians were placed, lending a great deal of authenticity to the recording. Browse: Bach, J S - Easter Oratorio BWV249 This page lists all recordings of Easter Oratorio BWV249 by Johann Sebastian Bach (1685-1750). 100 Best Bach Easter Oratorio (Oster-Oratorium: "Kommt, eilet und laufet"), BWV 249 (BC D8) This recording could well correct the unfortunate situation. Both, the oratorio and the cantata Der Himmel lacht, Die Erde jubilieret (‘The heavens laugh, the Earth rejoices’) were written for use at Easter, and together with the Magnificat are some of Bach’s most joyous outpourings of sacred choral music. Once in while a recording comes along in which the performers, producers, and recording team get everything right. BACH - Easter Oratorio BWV 249; Cantata BWV 66 "Erfreut euch, ihr Herzen", Carlton Classics’ CD reissue of Charles Rosen’s 1977 Beethoven Diabelli Variations lasted for ab...  Continue Reading, The Bottom Line: This tribute to the intelligence, musicianship and questing spirit of Richard Bonyn...  Continue Reading, Pianist Éric Heidsieck’s Erato and HMV recordings made little headway outside of his native Franc...  Continue Reading, This is the CD I only could have dreamed about in the 1970s. Masterfully here by oboist Michael Niesemann Karl Richter and the Munich Bach Orchestra composed it in Leipzig first! 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